The power and depth in her voice, once regarded as her strength, was now considered to be too commanding to be used as playback on heroines. Towards the latter half of the 1960s, she started losing out on A grade banners. In her long career, Shamshad Begum experienced both highs and lows. Dissatisfied with Timothy’s rendition, Shamshad Begum admonished her gently, “Tumhari aawaaz kyun nahi nikalti? Abhi to tum jawan ho.” When Timothy replied, “Aapki awaaz jaisi hamari aawaz kahan,”she lit up, smiled and said, “Aap acchha gate hain, majbooti se gaya karo.” Sixties playback singer Usha Timothy remembers an anecdote about the singer during the recording of Ae sapnon ke raja (film: Nateeja, 1969) that she co-sang with the veteran singer. Shamshad Begum was proud of her voice and hated being photographed. I was made to stand on a school bench and lead the school prayer after that,” she told film journalist Lata Khubchandani in an interview several years ago. One day the principal announced that there was one voice that stood out. “When I joined school in Lahore, we used to sing a prayer before our classes. But the two sang plenty of songs together some of whom are popular to this day such as Holi aayi re kanhai (film: Mother India) and Door koi gaye (film: Baiju Bawra, 1952)Įven as a child, her voice was special. In the 1950s, there was industry gossip about rivalry between them. That she never sang with K L Saigal remained an everlasting regret for her. “The song, Saawan ke nazare hain, from Khazanchi (1941) became wildly popular,”recalls Khayyam. Her earliest film hits came with composer Ghulam Haider. Shamshad Begum first made her mark singing non-filmi songs for AIR’s Lahore station in 1930s. But her biggest chartbusters came from Naushad (Jadoo, Anokhi Ada, Mela, Dulari, Mother India, Mughal-e-Azam) and O P Nayyar (CID, Naya Daur, Kismet). Ghulam Haider, Anil Biswas, Sajjad, C Ramchandra, S D Burman and Shankar-Jaikishan, she sang for all music maestros in the 1940s and 1950s.
You can call me unlucky that I couldn’t work with her,” says renowned composer Khayyam. And as a person, she was humble and disciplined. A surprisingly high number of her smash hits were remixed: starlet Tanushree Dutta gyrated sexily to the reworked rhythms of Saiyan dil mein aana re (film: Bahar, 1951). 83.14 Avalon (Catalina Isl.Ask any wedding band master, even today there’s no better bidaai song than Pee ke ghar aaj pyaari dulhaniya chali (film: Mother India, 1957) and Chhod babul ka ghar mohe pee ke nagar (film: Babul, 1950).The following is a list of songs about cities, from both traditional and pop music: the list should not be considered complete. Davis also says that songs with titles concerning cities and other specific places often have enduring popularity. Lyricist and author Sheila Davis writes that including a city in a song's title helps focus the song on the concrete and specific, which is both more appealing and more likely to lead to universal truth than abstract generalizations. However, there are many exceptions, for example: Lady Antebellum's song "This City" and Danielle Bradbery's " Young in America".
SHAMSHAD BEGUM OLD SONG FULL
Not all genres share the tendency to be positive about cities in Country music cities are often portrayed as unfriendly and dehumanizing, or seductive but full of sin. In many cases, songs celebrate individual cities, presenting them as exciting and liberating.
Popular music often treats cities positively, though sometimes they are portrayed as places of danger and temptation. Music journalist and author Nick Coleman has gone as far as to say that apart from love, "pop is better on cities than anything else." ( January 2013) ( Learn how and when to remove this template message)Ĭities are a major topic for popular songs. Please help improve this article if you can. The specific problem is: The page should only contain songs which have been specifically written about a city, per Articles for Deletion. This article may require cleanup to meet Wikipedia's quality standards.
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